I am a painter. In my work, I mainly focus on psychology and the subconscious. Although my paintings can be looked-upon logically, I want them to speak to the subconscious and imagination, bypassing the viewer's logic entirely. My art should provoke feelings.

 

Applying synesthesia, I work with perceptions in the form of colors, shapes, and visions.

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On the canvas, I depict certain situations, relationships and emotions through the lens of bizarre symbolic representations.

How are these situations and feelings processed by the subconscious and projected into our dreams? How is a childhood memory distorted by the ravages of time? That is what I hope to capture and share through my art.

 

However, it's not purely about the scene itself - it's about the arrangement.

Although shapes and volumes constitute objects or people, they are of sole surface and color; therefore, I create an arrangement that supports their meaning.

(Although I am quite chaotic in general, surprisingly, a part of me is intensely analytical. This part has me analyze the composition, the psychology, the work of the eye, and different approaches to painting. I also mix all my colors from three base colors.)

 

But let’s get back to the subject.

Ideas for paintings come up as visions (numerous during the day), commonly associated with one another. They are tied to one environment, one character and specific relationships.

 

My painting series usually represent a map of particular fields of my imaginative process. They exhibit the same area from different angles in the Eel-man, the Bizarre holiday, or Friends.

 

Often, they come together as a story. It feels like I am painting a movie - a movie with emphasis on atmosphere and characters. It indicates the plot but lets the audience create the rest.